Archive for the ‘Stephen Czerkas’ Category

Flesh Gordon – Beetle Man Sword Fight

Tuesday, May 1st, 2007

Released in 1972 as a softcore pornographic send-up of the old Flash Gordon serials, Flesh Gordon features sfx scenes that are real gems. Master effects artists Jim Danforth, David Allen, Dennis Muren, Doug Beswick, James Aupperle and Steven Czerkas all contributed to the film’s look.

Go ahead and watch the whole movie. The story is silly and entertaining, and a bit of titillation is good for your soul.

A highlight of Flesh Gordon is the beetleman sword fight sequence, animated by Jim Danforth. You’ll recognize the character design from Pete Peterson’s bettlemen test reel. Danforth restored and upgraded one of Peterson’s stop-motion puppets, and it shines in Flesh Gordon (literally – it’s painted gold). His masterful animation of the sword fight outdoes even the sword-fighting skeleton from The 7th Voyage of Sinbad. I’m particularly impressed by the miniature staircase, which is more convincing than the corny plaster rocks that decorate the live-action set.

When I was eighteen I rented this movie from Captain Video on Market near Castro. I dubbed it onto a Betamax tape and (mostly) ignored everything except this scene.

Planet of Dinosaurs – Allosaurus Attack

Tuesday, April 10th, 2007

The team who put together Planet of Dinosaurs clearly loves dinosaur movies. This 1978 independent production pits a group of lost space tourists against some quality stop-motion dinosaurs. The scenes between the dinosaur confrontations are just time fillers. Planet of Dinosaurs is all about the dinosaurs.

The dinosaurs were animated by writer/producer James Aupperle, Doug Beswick, and Stephen Czerkas. Aupperle and Beswick have been active in the effects industry ever since. Stephen Czerkas now heads The Dinosaur Museum in Blanding, Utah. Jim Danforth provided some matte paintings.

This scene of a small Allosaurus attacking a spaceage damsel in distress represents the great quality of work that brought the film’s dinosaurs to life. This Allosaurus’ exaggerated scaly skin reads great on film, and a whole bag of stop-motion tricks was opened in this scene: Rear projection, static mattes, thrown sand, and impalement by a live-action spear. Its motions are smooth and natural.

This clip comes from a VHS tape I won on eBay.