Archive for the ‘miniature’ Category

The Milpitas Monster

Monday, June 16th, 2008



“Not Since King Kong has such a tale been told”

The Milpitas Monster was produced in the early 1970’s by the community of of Milpitas, California, and directed by Samuel Ayer High School photography teacher Robert Burrill. The result is a one-of-a-kind of cinéma vérité monster flick that oozes entertainment. The roles of the Mayor, the city council, the police and file departments, the garbage collectors, and the High School students and faculty are enthusiastically played by themselves.



Animated monster effects accomplished by Stephen Wathen

The monster, spawned by pollution, terrorizes the city of Milpitas by stealing its garbage cans. The Milpitas Monster’s environmental message addressed the booming populations of nearby Silicon Valley communities, whose nearby landfills gave Milpitas a smelly reputation.



Kozy Kitchen restaurant miniature built by Duane Walz

The competent miniatures (including a particularly fine miniature of the Kozy Kitchen restaurant) and the monster suit were constructed by students and parents from Samuel Ayer High School. Stephen Wathen contributed polished character animation with his stop-motion effects of the monster.



The Odorola portable monster detector

I’m impressed with the talent and enthusiasm behind this 16mm amateur production. The bizarre tale of garbage, teenage “hoodlums,” George the loveable homeless alcoholic widower, and a 50-foot tall monster is just too charming to criticize. And everyone looks like they’re having a great time.



KTVU channel 2 Creature Features horror host Bob Wilkins in his cameo appearance as monster expert Dr. Lindford of the U.S. Pollution Control Board

The Milpitas Monster DVD can be purchased from www.milpitasmonster.com.

Lost Zeppelin Miniature Effects

Sunday, November 18th, 2007

Lost Zeppelin (1929) is a tough movie to watch today. It’s slow-paced and awkwardly performed. Like most early talkies, the technical limitations of early sound-on-film technology place a heavy burden on the narrative. The first “all talking” film, Lights of New York, was released just the year before, and this early sound production still shows some rough edges.

Yet regardless of its vintage, Lost Zeppelin’s marvelous miniature effects still capture the wonder and romance of the golden age of airships. The story is influenced by the gripping real-life drama of Italian aeronautical engineer and Arctic explorer Umberto Nobile, who in 1928 was rescued after the crash of his dirigible Italia on his second expedition to the Pole.



Airship designer and Polar explorer Umberto Nobile. Credit: Library of Congress.

The zeppelin effects are still impressively realistic, enhanced by some smart static mattes like the Explorer over water at 0:58, and the spectacular launch from Washington, D.C. at 0:28. Scenes of the crashed Explorer at 4:41 were achieved with matte paintings, and much of the zeppelin in-flight was most likely wire work, although I’m not sure how the layers of storm clouds at 1:56 were achieved — double exposures? Glass paintings?

Set Decorator George Sawley was later nominated for an Oscar for 1950’s Destination Moon. Effects are by Kenneth Peach, who continued in Hollywood as an accomplished cinematographer and director of photography on projects as varied as King Kong (1933), It! The Terror from Beyond Space (1958), The Outer Limits (1965) and H.R. Pufnstuf (1970). He continued working in television into the 1980’s.

My edit of Lost Zeppelin is set to “The Zeppelin”, from James Horner’s masterful score for The Rocketeer. But that’s another movie for another entry.