Archive for the ‘Jim Aupperle’ Category

Flesh Gordon – The Great God Porno (the Nesuahyrrah)

Saturday, November 10th, 2007

BlueSpill’s server logs show a lot of people searching for Flesh Gordon, so here’s another clip to compliment Jim Dansforth’s masterful Beetle Man sword fight: Flesh Gordon’s final stop-motion sequence, featuring the Great God Porno (also known as the Nesuahyrrah).

Like the Beetle Man swordfight, the armature for the Nesuahyrrah came from Pete Peterson, who built it for his test reel The Las Vegas Monster.

The Great God Porno is among the most inventive stop-motion characters from feature films of the era. Not just a lumbering monster, he’s one of the few stop-motion actors with dialogue and a distinct personality. That Flesh Gordon is an X-rated sex romp makes the talent that went into animating the Great God Porno even more remarkable.

Laine Liska sculpted the Nesuahyrrah puppet. David Allen, Jim Aupperle, and Robert Maine animated the Great God Porno, with Maine completing the bulk of the animation. Jim Danforth and Dennis Muren also assisted with setup and lighting.

The Great God Porno is never actually called “Nesuahyrrah” in the film, although it’s often refered to by that name in books. If anyone knows the story, I’m curious to learn where the nickname originated (but I do know what it means — just spell it backwards).

I originally posted the scene complete and unedited, but someone at YouTube actually found it offensive and yanked it. This edited version should prevent damage to impressionable minds.

Flesh Gordon – Beetle Man Sword Fight

Tuesday, May 1st, 2007

Released in 1972 as a softcore pornographic send-up of the old Flash Gordon serials, Flesh Gordon features sfx scenes that are real gems. Master effects artists Jim Danforth, David Allen, Dennis Muren, Doug Beswick, James Aupperle and Steven Czerkas all contributed to the film’s look.

Go ahead and watch the whole movie. The story is silly and entertaining, and a bit of titillation is good for your soul.

A highlight of Flesh Gordon is the beetleman sword fight sequence, animated by Jim Danforth. You’ll recognize the character design from Pete Peterson’s bettlemen test reel. Danforth restored and upgraded one of Peterson’s stop-motion puppets, and it shines in Flesh Gordon (literally – it’s painted gold). His masterful animation of the sword fight outdoes even the sword-fighting skeleton from The 7th Voyage of Sinbad. I’m particularly impressed by the miniature staircase, which is more convincing than the corny plaster rocks that decorate the live-action set.

When I was eighteen I rented this movie from Captain Video on Market near Castro. I dubbed it onto a Betamax tape and (mostly) ignored everything except this scene.

Jason of Star Command – Monster from Planet of the Lost

Friday, April 13th, 2007

James Aupperle animates a convincing monster on episode six of Jason of Star Command, “Planet of the Lost.”

Jason of Star Command was a Saturday morning live-action kids show produced by Filmation in 1979. The paper-thin stories benefited from above-average miniature and animated effects. This segment is probably the best of the series.

In spite of its corny context, the monster is beautiful. I wonder if Aupperle used it in any other productions?

Planet of Dinosaurs – Allosaurus Attack

Tuesday, April 10th, 2007

The team who put together Planet of Dinosaurs clearly loves dinosaur movies. This 1978 independent production pits a group of lost space tourists against some quality stop-motion dinosaurs. The scenes between the dinosaur confrontations are just time fillers. Planet of Dinosaurs is all about the dinosaurs.

The dinosaurs were animated by writer/producer James Aupperle, Doug Beswick, and Stephen Czerkas. Aupperle and Beswick have been active in the effects industry ever since. Stephen Czerkas now heads The Dinosaur Museum in Blanding, Utah. Jim Danforth provided some matte paintings.

This scene of a small Allosaurus attacking a spaceage damsel in distress represents the great quality of work that brought the film’s dinosaurs to life. This Allosaurus’ exaggerated scaly skin reads great on film, and a whole bag of stop-motion tricks was opened in this scene: Rear projection, static mattes, thrown sand, and impalement by a live-action spear. Its motions are smooth and natural.

This clip comes from a VHS tape I won on eBay.